ARTICLES

Music WEIRDO Zine Music WEIRDO Zine

Nabihah Iqbal dazzles London’s EartH Hackney

Nabihah Iqbal dazzles at her biggest headline show to date at EartH Hackney, ending her UK tour at home in London. The British Pakistani artist takes her audience on a journey through her ethereal, shoegaze, electro-inflected world.

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Music WEIRDO Zine Music WEIRDO Zine

Pinkshift bring down The Underworld in London

Pinkshift have been non-stop touring in the US and are finally back in the UK for the second time for what they’ve called the ‘Britshift’ tour (plus a show in Belgium). We caught their show at The Underworld in Camden Town, London, with support from The Sex Patels and Just.

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Literature WEIRDO Zine Literature WEIRDO Zine

From roots to revolution: The power and beauty of 'Hair/Power' by Kajal Odedra

‘Hair/Power’ by acclaimed author and activist Kajal Odedra is a remarkable book that delves into the complex intersection of identity, beauty standards, and activism. With a unique blend of personal anecdotes, sociopolitical analysis, and empowering narratives, Kajal offers readers a thought-provoking exploration of the significance of hair as a symbol of power and resistance.

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Literature, Identity / Culture Naz Toorabally Literature, Identity / Culture Naz Toorabally

Desi Pubs – the untold stories of British-Indian publicans

More than just a guidebook, Desi Pubs tells the previously untold stories of resistance underpinning the existence of desi pubs in the UK and the landlords running them. Naz Toorabally speaks with author and journalist David Jesudason about his book, the importance of telling these stories and the impact discovering desi pubs had on him.

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Film / TV / Stage WEIRDO Zine Film / TV / Stage WEIRDO Zine

Polite Society: a high-octane action-comedy kicking down South Asian and Muslim women stereotypes

From the director and writer of smash-hit Channel 4 comedy, We Are Lady Parts, Nida Manzoor’s big screen debut Polite Society is a story about fighting the status quo, sticking it to the patriarchy, and reclaiming bodily autonomy. It’s a refreshing rebuttal to the typecast bit parts you often see South Asian women relegated to in film and TV.

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